Beth C. McLaughlin is Artistic Director and Chief Curator at Fuller Craft Museum in Brockton, Massachusetts. McLaughlin has held leadership and curatorial roles in the arts and museum fields for over 25 years at institutions across the U.S., including Fuller Craft Museum, Oakland Museum of California, and DeCordova Sculpture Park and Museum. She has curated over 45 exhibitions and has served as a juror for a number of cultural organizations, including American Craft Council, Fiber Art Now, Massachusetts Cultural Council, and the City of Worcester.
McLaughlin has been published in several books and periodicals, such as Crafting Democracy: Fiber Arts and Activism, Fiber Art Now, the Decorative Arts Society Newsletter, and American Craft Magazine. McLaughlin is passionate about expanding awareness of the craft field, promoting the makers, and exploring the transformative powers of handmade objects.
Jane Sauer is an internationally recognized curator, lecturer, and art consultant who now resides in St. Louis, Missouri. She has been a practicing fiber artist for over 35 years with work in over 25 museum collections, including the Renwick Gallery, the Museum of Arts and Design in New York, and the American Craft Museum. For fifteen years she was the Artistic Director and gallery owner of Thirteen Moons Gallery, later Jane Sauer Gallery, in Sante Fe.
Sauer has received two National Endowment for the Arts Grants, is part of the Archives of American Arts Smithsonian Institute, and is a Fellow of the American Craft Council, having served on their Board and as Chair. She has also served on the Board of the Craft Emergency Relief Fund, the Advisory Board of Santa Fe University of Art & Design, the National Council School of Art, Washington University, the International Women’s Forum and other advisory roles, and was the founder of the Textile Art Alliance. Sauer earned her BFA from Washington University in St. Louis, and additionally, studied design at the School of Architecture.
Lisa Ranallo is Registrar and Acting Curator at the Yellowstone Art Museum in Billings, Montana. She has worked with museum art collections for 25 years in museums as large as the National Museum of the American Indian and as small as the Brinton Museum in Big Horn, Wyoming. Her work with Fiber Arts began in the Textile Department at Minneapolis Institute of Art, where she installed and mounted textiles for major exhibitions such as Asian Silks of the Ch’ing Dynasty and Kaffee Fassett. She was also responsible for a complete textile rotation/replacement for the Frank Lloyd Wright house, Fallingwater in Mill Run, PA.
Ranallo studied weaving in Norway, and under the tutelage of fiber artist and poet/writer, Gail Tremblay (Mi'kmaq and Onondaga) at the Evergreen State College. Lisa has a Master’s Degree in Art History from The University of St. Thomas in Minnesota, where her research focused on the Norwegian tapestry artist, Frida Hansen.